New kilim, hand weaved with the most beautiful wool handspun and vegetable dyes.

Kilim begining of the 20th century, from the south of Turkey

This kilim is very characteristic from this area with but the freedom of the weaving and the pattern make it unique.

Kilims from this region are a perfect match for primitive art.

New kilim, hand weaved with the most beautiful wool handspun and vegetable dyes.

Custom size possible

New kilim, hand weaved with the most beautiful wool handspun and vegetable dyes.

New kilim, hand weaved with the most beautiful wool handspun, 30% of mohair wool, and vegetable dyes.

The Tree of Life motif is featured in the border and center of the kilim.

Kilim circa 1940, from southwest Turkey

Pattern and colors very characteristic of this region.

Dense, solid weave.

New kilim, hand weaved with the most beautiful wool handspun and vegetable dyes.

Custom size possible

Kilim 2nd half of 20th century from southeast Turkey

This niche pattern, although characteristic of this region, is less common.

Beautiful combination of dense colors

Early 20th century kilim from the Bakhtiari tribes, from the Chahar Mahal valley, which crosses the Zagros Mountains.

The "spearhead" border of this kilim is very characteristic of this region. The center, on the other hand, is more unusual in both color and pattern. The linear aspect of the whole is broken by the "brushstrokes" that irregularly enter the center of the weave.

The white parts have been woven with cotton to accentuate the contrast.

New kilim, hand weaved with the most beautiful wool handspun and vegetable dyes.

Custom size possible

Suzani late 19th century, used as a wedding cloth symbolizing a passage.

The shape of the arch represents the Mihrab in the Islamic religion. In religious architecture and textiles, it is a symbol of passage, suggesting not only the existence of the beyond, the divine, but also the possibility of surrounding it.

In symbolism, the young couple lie down together under divine protection on their first night. According to custom, the empty, unembroidered part was to show proof of the bride's virginity.